ESMAD@BIP_PORTO | Blended Intensive Programme (BIP)

Posted in News EN, Sin categoría

IDarte participants—teacher Maddalen Agirre Loinaz, together with students Eneko Arozena, Natalia Ruiz, Amaia Rioboo, Nagore Arteaga, Maider Gorospe, Olatz Armentia, Uxue Pérez de Goldarazena and Mikel Echevarría—take part in an international Blended Intensive Programme (BIP) in collaboration with ESMAD Porto and LABA schools in Florence and Brescia, mentored by artist Ana Areias.(https://anatypestype.com/)

What is a BIP?

A Blended Intensive Programme (BIP) is an Erasmus+ mobility format that combines online collaboration with short, intensive in-person workshops in an international context.

Value of the program

  • Provides short but intensive international learning experiences
  • Promotes collaboration between students from different disciplines and cultures
  • Encourages hands-on and experimental learning
  • Helps develop a more global perspective through design

It is also a highly enriching opportunity for short-term mobility, both academically and personally.

Main challenge

Flexible Visual Identity: graphic patterns for cultural meaning

Exploring flexible visual identities through graphic patterns (shapes, lines, data visualizations) to build shared cultural meanings, memory and identity.

Process

Students first research cultural patterns in an online phase. Then groups are reorganized for the in-person workshop, where collaborative design work takes place.

Final outcome

The pattern identities are transformed into kites, created using reused materials and developed from a sustainable perspective, connected to the textile and plastic industries of northern Portugal.

Methodology

Interactive, project-based learning with hands-on workshops and experimental design processes.

Fechas
20 hours of virtual collaboration and research work 07/04/2026 – 11/04/2026 (in-person phase at ESMAD@PORTO)

IDarte and Mendizabala promote an interdisciplinary project combining photography, hairdressing and aesthetics

Posted in Higher-Level Photography Program, News EN

Second-year students from the Higher Vocational Training Cycle in Photography at IDarte, the Public Higher School of Art and Design of the Basque Country, have developed an artistic and educational project in collaboration with second-year students from the Higher Vocational Training Cycle in Styling and Hairdressing Management and the Intermediate Vocational Training Cycle in Aesthetics and Beauty at Mendizabala LHII.


The aim of the project was to document and showcase the hairdressing and characterisation work carried out by Mendizabala students through a professional photo shoot. To this end, students from both schools worked together throughout every stage of the creative and production process.

The initiative was developed over two main working days. On the first day, IDarte’s photography students travelled to Mendizabala to document the hairdressing and make-up process during the first trial session, taking photographs and recording video footage. The second session took place in IDarte’s studios, where a professional photo shoot was carried out with six models prepared by Mendizabala students.

During the session, students explored different types of studio portraiture, working on lighting as well as the technical and aesthetic aspects of the image. Afterwards, they selected and edited the photographs in order to prepare the final material.

“This project gives students the opportunity to experience the real dynamics of a professional commission, working collaboratively with students from other disciplines and managing the entire creative process,” explained one of the teachers coordinating the project.

According to the teaching staff at Mendizabala, the artistic perspective of the photography students made it possible to present the hairdressing and make-up work in a creative and professional way, highlighting its details and aesthetic dimension.

The students who took part in the project were: Jone Carbajosa (Photography), Lucía Flores (Photography), Ane Machicote (Photography), Garoa Zubikarai (Photography), Aintzane Cabezas (Hairdressing), Leire García (Hairdressing), Ana Belén Guerrero (Hairdressing), Giuliana Nahir Gutierrez (Hairdressing), Iradi Serrano (Hairdressing), Isabela Thomas (Hairdressing), Luzia Angulo (Aesthetics), Ainize Arrondo (Aesthetics), Eylin Ciprian (Aesthetics), Keira Fuentes (Aesthetics), Maider Jimenez (Aesthetics), Aiara Martinez de Santos (Aesthetics), Nerea Mateo (Aesthetics), Marta Otero (Aesthetics), Angela Oyaga (Aesthetics), Nerea Quincoces (Aesthetics), Andrea Santiago (Aesthetics), Leire Valdecantos (Aesthetics) and Lucia Valladolid (Aesthetics).

In addition, students from IDarte’s Higher Vocational Training Cycle in Animation, Estefanía Quilchano and Sofía Velasco, recorded the process of the photo shoot held at IDarte in order to create a making-of style video documenting the work carried out during the project:

The project was coordinated by IDarte teachers Amaia Garate, David Zabala and Laida Beristain, in collaboration with Mendizabala LHII teachers José Miguel Heredia and Leire Fernández.

This initiative strengthens the collaboration between the two schools and opens up new avenues for dialogue between disciplines linked to image, design and visual creation.

Strategic Brands: Digital Marketing Projects in 4th Year Graphic Design

Posted in News EN, Sin categoría

In the Digital Marketing course taught in the fourth year of the Graphic Design Degree, we have worked on projects focused on strategic brand development and its communication in the digital environment. The main goal is for students to understand how a brand is built from a branding, positioning and digital strategy perspective, and how these decisions influence its visual communication, online presence and the relationship it establishes with its audiences.

The course approaches Digital Marketing as a complete strategic process. Before talking about social media or online advertising, we work on the foundations of branding: defining the brand’s purpose, its value proposition, target audience, brand territory and the positioning it aims to achieve in its market. From there, we analyze how to build a coherent digital strategy that allows the brand to generate visibility, build community and connect with its audience.

A large part of the course is developed through practical projects in which students work on different stages of the brand-building process and strategic planning. We begin with branding analysis exercises, where real brands are researched and aspects such as visual identity, brand narrative, value proposition and their management of digital presence are studied.

We also analyze how brands manage their digital channels, distinguishing between Owned Media, Paid Media and Earned Media, and observe how strategies such as Content Marketing, Social Media Marketing, SEO and SEM, or digital campaigns are combined to generate traffic, engagement and brand visibility.

Personal Brands

Based on this analysis, students begin to develop their own brand project. One of the exercises is the creation of personal brands, in which each student defines their professional value proposition, positioning and target audience, developing a coherent identity both conceptually and visually.

Lander Martínez
A personal brand focused on online physical training for football players, based on a scientific and measurable methodology. The project stands out for its focus on real performance and objective player improvement.

Larraitz Lopetegi
A personal graphic design brand focused on individual expression and emotional connection through design. It proposes a creative, innovative identity that moves away from conventional approaches.

Product Brand Creation: Lowcrumb

In addition to personal brands, we developed a product branding project: a cookie brand. In this exercise, students worked on different ideation and conceptualization techniques to build the brand concept that would later guide the development of its identity, narrative and digital communication strategy.

Lorena Mariñelarena
A food brand that focuses on balancing pleasure and well-being, offering healthy cookies with a transparent and conscious approach. It aims to position itself as a reference in indulgent yet responsible consumption.

Design and Strategy: A Necessary Connection

This entire process helps to understand how Graphic Design and Digital Marketing are deeply connected. Design decisions, visual systems, typography, color or tone of voice, are not only aesthetic choices, but part of a brand strategy aimed at generating recognition, differentiation and connection with the audience.

Through these projects, students learn to approach design from a strategic perspective, understanding how branding, content marketing, channel strategy and visual communication work together to build coherent, relevant brands capable of positioning themselves in today’s digital ecosystem.

Second-year Illustration students from ID arte visit the Fernando Baptista exhibition and K3 printing house

Posted in Higher Level Illustration Program, News, News EN

In November, second-year students from the Illustration programme visited the Aroztegi Hall in Bergara to see the exhibition of Fernando Baptista, an internationally recognised scientific illustrator. The exhibition was organised by the Laboratorium museum.

During the visit, students were able to immerse themselves in the professional field of scientific illustration, reflecting on creative processes and learning about the development of professional work. As part of their studies, students create an infographic based on the Green Belt of Vitoria-Gasteiz, so the exhibition gave them the opportunity to understand how a professional scientific infographic is developed and produced.

The visit concluded at the K3 printing house, where students experienced another real context of industrial graphic production. They were able to learn about the process through which digital work becomes a printed product.

It was an enriching experience that allowed students to better understand the professional world and the realities of the sector.

A New Space to Spark the Imagination: Transforming the Library at Arriagako Haritza Public School

Posted in Higher Level Studies in Interior Design, News EN

From 19 to 23 January, third-year Interior Design students enrolled in the Home Staging course took part in the refurbishment of the library at Arriagako Haritza Public School in Vitoria-Gasteiz.

This initiative was launched in response to a broader need identified within the public school system and emerged from the collaboration between the teaching teams of both institutions. The primary aim was to transform the library into a more attractive, functional space tailored to the real needs of its students. The project sought to encourage greater use of the library and to turn it into an inspiring environment for reading and learning. An initial meeting with the school allowed to gain first-hand insight into its expectations and specific requirements.

During the design phase, the students were divided into four groups, each developing a distinct proposal. This approach enabled the school to assess a range of solutions before selecting the option that best aligned with its objectives. It also ensured a broad and diverse exploration of potential interventions.

After several weeks of development and the formal presentation of the proposals, one proposal was ultimately selected for its strong visual concept and practical effectiveness. The selected concept draws inspiration from the universe and outer space, incorporating elements such as rockets, planets and galaxies. Blue color serves as the project’s unifying thread, creating a calm atmosphere that supports concentration while giving the space a stronger sense of character and personality. The proposal also prioritised sustainability through the reuse of existing furniture, which was reorganised and adapted with paint and targeted interventions to enhance both its functionality and visual appeal.

During the implementation week, the IDarte students once again worked in coordinated teams, each responsible for specific tasks: door painting, carpentry work, interventions in the main library room and the redesign of the access corridor. The school’s own pupils also took part in creating some of the decorative elements, further reinforcing the collaborative nature of the project.

This project provided a valuable opportunity to engage with a real commission, addressing every stage of the process, from initial concept development to final execution. At the same time, it allowed the students to collaborate with the school community and to contribute to the creation of a thoughtfully designed, stimulating space where children can grow, imagine and learn.

Interior Design Students at The Visual Awards

Posted in News EN

Once again this year, IDarte students participated in the Visual Awards Window Display Competition, organized by the Álava Chamber of Commerce

As has been customary in recent years, IDarte students have participated in the Visual Awards competition, organized by the Álava Chamber of Commerce. The purpose of this competition is to recognize and financially reward the efforts of businesses that are committed to improving, innovating, and recycling their commercial spaces. Within this framework, various awards have been given out in the different categories of the competition, in which numerous establishments from the Álava region have participated.

As for the school’s students, once again this year they took part in the El Corte Inglés Award category. This category recognizes the most creative establishment within the Promesas del Diseño (Design Promises) initiative.

A total of ten groups participated in this edition. The proposals developed focused mainly on Christmas and winter themes and were designed to be completely customized for each business. To this end, the students analyzed both the identity of each establishment and the specific needs expressed by their owners. This resulted in realistic proposals covering all phases of a stage design project: from the initial ideation phase (idea and concept development, technical description, and budget preparation) to final execution and staging in the storefront windows.

After the designs were installed, the Álava Chamber of Commerce was responsible for selecting the winning window display. The prize went to the proposal submitted by students Elena Heras, Amy Holland, Edurne Navas, and Nikolás Brocal for the Astrolibros 2 bookshop, located at Vitoria-Gasteiz.

I·D arte Graphic Design students and teachers take part in the 3rd edition of Basquerville

Posted in Higher Level Studies in Graphic Design, News EN

From October 9th to 11th, the Graphic Design faculty and students of I·D arte took part in the third edition of Basquerville, the Design and Technology Festival held in Vitoria-Gasteiz. In just a few years, this event has become one of the most important references in the Basque creative scene, offering a space for exchange, reflection, and collaboration among professionals, companies, educational institutions, and design enthusiasts.

This year, the festival took place at IAK Antzokia, located in the heart of Vitoria’s Old Town. The intimate atmosphere of the venue, together with its vibrant surroundings, created the perfect setting for a weekend filled with ideas, experiences, and creative energy. Over three days, talks, workshops, round tables, and demonstrations explored a wide range of topics, from artificial intelligence applied to design and sustainability in digital production to the role of visual identity in contemporary culture.

A particularly meaningful moment for our school was the participation of Arrate García Ardanaz, a former I·D arte student, who presented her work within the Harrobi programme. This section of the festival is dedicated to showcasing the projects of young and emerging designers, giving visibility to new voices in the creative field. Seeing a former student share the stage with established professionals was deeply inspiring for both teachers and current students, as it demonstrated how the training received at I·D arte can serve as a strong foundation for building a professional career in design.

Basquerville, organised by SPRI along with other public and private collaborators, aims to foster collaboration between design, technology, and business, highlighting design as a strategic driver of innovation and social transformation. This edition once again emphasized the strength of the Basque design scene and the importance of creating networks between local agents, universities, studios, and creative communities.

For the teaching team at I·D arte, attending Basquerville represents a valuable opportunity for professional development and direct connection with current design practices, while for students it provides an enriching and motivating experience that complements their classroom learning.

At I·D arte, we are proud to take part in initiatives like this, which strengthen the ties between education and professional practice, and reaffirm our commitment to promoting an open, critical, and socially engaged approach to design and contemporary visual culture.

Representation Systems: The Fundamental Language of Design

Posted in News EN

In the vast universe of design—whether graphic, interior, or illustration—there is a discipline as silent as it is essential: representation systems. Often overlooked, this is where real design thinking begins.

Understanding space starts with something as simple as a dot: not just a mark, but a starting point from which we begin to construct. From that point emerge the straight line, the plane, and the volume. These are not just abstract concepts; they are the first “letters” of the visual language we use to comprehend objects. From this geometric foundation, transformations—homothecies, rotations, similarities—open new possibilities in design: they allow us to modify proportion, scale, and spatial organization in a comprehensible way, bringing coherence and strength to the visual message.

To express all of this, we use visual tools such as axonometric projection, perspective, or orthographic drawing. These systems are much more than technical drawing—they form a visual language that allows us to clearly communicate ideas, linking logic and communication, and helping us understand spatial organization and relationships between elements.

Throughout the history of design, geometry and representation methods have played a crucial role. They do not just depict reality—they construct ideas and make them communicable. That’s why representation systems are not “just another subject”—they are a way of thinking in design.

At IDarte, when students work on representation systems, they are not simply learning how to draw. The process goes much deeper: it teaches them how to observe and understand space, how to relate objects, and how to structure their design thinking. It becomes a tool for precise thinking and serves as a fundamental visual literacy across all design disciplines.

At the beginning of this academic year, the three departments involved in the Drawing/Representation module—Graphic Design, Interior Design, and Illustration—developed exercises from their own visual languages. In Graphic Design, students developed their own typography based on the concept of tangencies. Using intersections between circles and lines, arc capacities, and complex geometric constructions, they created a typographic system. These are not just letters, but visual identities structured through geometry. Transparency in the process—centers, points of contact, helper lines—was key to making the typographic structure clearly understandable.

Autor Xabier Ogueta

In Interior Design, first-year students worked on an inspiring exercise: interpreting the staircase from Olivetti’s showroom designed by Carlo Scarpa. This project allowed them to study the work of a design master and showed how technical precision and creativity must go hand in hand. The choice of representation method and every line drawn served to clarify the visual message and reflect the spatial intent of the project.

Olivetti showroomeko eskailera
Autor Markel Carnicer

In Illustration, students constructed and illustrated an isometric drawing of a classic Kodak Duaflex camera. Technical rigor—parallel lines, angle-based projections, precise circles, volume coherence—was fused with artistic expression to bring personality to the object. This exercise demonstrated how geometry and creativity can enhance one another.

Autora Iratxe Arrilucea
Autora Kattalin Etxebarria

The work done in all three disciplines demonstrates that representation systems are not isolated fields, but rather a shared language that enables dialogue across all areas of design.

For future designers, mastering these systems means mastering communication: being able to clearly express ideas and transform technique into emotion. It’s a skill that opens new doors in the way we conceive and create design.

IDarte and José Uruñuela Conservatory collaborate on a project merging dance and photography

Posted in Higher-Level Photography Program, News EN

IDarte (Public Higher School of Art and Design of the Basque Country) and the José Uruñuela Dance Conservatory have worked together on an artistic project that combines dance and photography.

Second-year students from IDarte’s photography programme and sixth-year students from the Conservatory have developed a creative initiative exploring the visual expression of dance and the body. This is the third consecutive year of collaboration between the two institutions, a partnership that continues to strengthen the relationship between IDarte and Uruñuela, while promoting students’ professional training and interdisciplinary work.


The aim of the initiative was to provide dance students with professional-quality visual materials — a personal portfolio to present to dance companies.


The photoshoots took place over two days. The first session was held in IDarte’s studio to focus on lighting and controlled portrait techniques. The second session was at the José Uruñuela Dance Conservatory, where movement and stage presence were captured.

In the following days, photography students carried out the postproduction and editing of the images and video. The final output included a series of professional portraits and a short “making-of” style video that summarises the process and the experience of collaboration.
You can watch the video here:

“This project has given our students the chance to immerse themselves in a real professional assignment, while understanding the importance of communication and collaboration across disciplines,” explained Laida Beristain, IDarte lecturer and project coordinator.
The photographs reflect each dancer’s personality, movement, and expressiveness, through a carefully considered technical and aesthetic approach.

According to Conservatory faculty, “the photographers’ artistic perspective has allowed our students to work on their personal image in a creative and professional way, maintaining the expressiveness of dance.”

The project was led by IDarte lecturers Laida Beristain, Amaia Garate and David Zabala, with students Jone Carbajosa, Ane Matxikote, Lucia Flores and Garoa Zubikarai.
From the Conservatory, the participating team included Elvira Illana, Arantzazu Susunaga, Ana Carmen Ruiz, Alejandro Alcain, Aiala Razkin, Iradi Salazar, Eider Espina, Alain Campón, Lucia Da Costa and Carla Pascual.

This initiative has further strengthened the relationship between IDarte and the José Uruñuela Dance Conservatory, opening up new paths for dialogue and exchange between visual and performing arts.

BBDweek Bilbon 2025

IDarte students take part in the BBDWEEK Challenge in Bilbao

Posted in News EN, Sin categoría

A group of IDarte students recently took part in one of the challenges set within the framework of the Bilbao Bizkaia Design Week (BBDWEEK). This initiative, supported by the Health Department and Bilbao City Council, posed four real-world challenges aimed at improving public services and user experiences, as well as raising awareness around health-related issues.

The teams were formed in a multidisciplinary way, bringing together students from various design and innovation schools. Each group was assigned one of the four challenges and spent a month developing a response through mentoring sessions, collaborative dynamics, and both independent and group work.

The aim was to present four innovative and viable proposals, one per challenge, by the end of the process. The work included field research, prototype testing, user interviews, cost estimation, and the time planning of complex projects, among other tasks.

For the students involved, it was an enriching experience. They had the chance to apply what they’ve learned, explore new methodologies, collaborate across disciplines, and gain insight into the management of real, multidisciplinary projects. All in all, a valuable step in their professional development and a broader view of how design can address real needs.

These are two of the challenges tackled by Enia Susperregi, Ander Varas, and Lander Martinez:

Ander Varas (Challenge 1)

Challenge 1 focused on cardiac arrest and the lack of visibility and knowledge around CPR techniques. Their research revealed that, beyond lack of training, panic is what often paralyzes bystanders. To address this, they created the Latidos Bilbao Taupadak campaign, a dual strategy combining two solutions: SMS Flash, a visual and audio metronome sent directly to the bystander’s phone by the 112 operator to help guide compressions and overcome the initial panic; and TAUPA, a physical device placed on the chest that helps ensure the correct compression depth (5–6 cm). The goal: empower citizens and reinforce the idea that “the worst resuscitation is the one that doesn’t happen.”

Enia Susperregi (Challenge 4)

Our team aimed to promote the use of calisthenics parks in Bilbao, especially among young women, a group that is still underrepresented in these predominantly male spaces. We developed a graphic proposal for a campaign focused on breaking stereotypes and reinforcing the message that “these parks are for you too”, encouraging a more inclusive, accessible, and diverse approach to outdoor exercise.

Zinebi IDarten

IDarte collaborates on the official short film for ZINEBI67’s Beautiful Docks section

Posted in Higher-Level Animation Program, Higher-Level Photography Program, News EN

In the 67th edition of ZINEBI, the International Festival of Documentary and Short Film of Bilbao, inaugurated on November 21, the Euskadi Public School of Art and Design (IDarte) plays an active role in the creation of the official short opening film for the Beautiful Docks documentary section.

The project was initiated by screenwriter and director Pedro Rivero, head of ZINEBI’s Animation Lab (ZAL), who invited animator, director, and producer Sonia Estévez to lead the creation. For the development process, Estévez worked closely with second-year students from IDarte’s Animation program, involving them in a creative and professionally enriching experience.

he animation piece is conceived as a poetic reflection on the value of archives and the passage of time. Throughout the various stages of the project, students Estefanía Quilchano, Kamila Rodríguez, and Sofía Velasco constructed a handcrafted scale model: an immersive space that invites the viewer in through a rustic, heavy door—symbolizing access to other realities and shared memory.

The work was created using Stop Motion techniques, with additional use of Pixilation. Stop Motion involves frame-by-frame animation using physical objects, while Pixilation employs real people to create a staggered or mechanical movement effect. Together, these techniques bring a textured, organic aesthetic to the piece, evoking artistic gesture and the traces of time.

IDarte’s Photography program also contributed to the project. Students Ane Machicote, Garoa Zubikaray, Lucía Flores, and Jone Carbajosa generously shared their photographic work, which, together with a visual archive provided by artist Gorka Salmerón, served as the visual foundation for the animation—enhancing its atmosphere and depth.

IDarte extends its heartfelt thanks to Estefanía, Sofía, and Kamila for their dedication and artistic sensitivity, and to Sonia Estévez for her creative leadership and for involving the school in this inspiring project blending education, creativity, and visual experimentation.

Ikasleak Bauhauseko historiari buruzko timeline bat aurkezten

A Journey into Bauhaus: Students Explore Its Legacy Before Tackling a Creative Challenge

Posted in News, News EN

In line with the project that first-year students in Graphic Design and Interior Design will be developing this year, the History department has launched a preliminary initiative. This year’s challenge, inspired by the primary colors and basic shapes of the Bauhaus school, aims to carry out an artistic intervention in public spaces—integrating political messages such as solidarity with Palestine.

For this reason, in the subject History and Theory of Art, Architecture and Design, taught in the first year of both degrees, we have explored the development, characteristics, and influence of the Bauhaus school through a class project. This served as the first core topic of the academic year and proved to be the perfect introduction to frame the upcoming practical challenge. Using the jigsaw teaching method, students were tasked with creating a timeline of Bauhaus history that synthesized key facts, featured images of its main figures, and included visual examples of its most iconic workshop products—visually reflecting the so-called “Bauhaus style” through color, shape, and typography.

To implement this method, the project began with a general theoretical presentation by the teacher, including a concise history of Bauhaus supported by images. Students were then organized into groups of five, and each member received a text focusing on a specific phase of Bauhaus history. They were expected to read and analyze the text by the following day. The next step involved forming expert groups made up of students who had read the same text. Their task was to reach a consensus and ensure full comprehension of the content so that in the fourth step, each student could effectively teach their section to their original group.

Finally, after a deep dive into the content, students returned to their original groups and worked over two sessions to create a timeline, presenting rich, accurate information. They concluded the project with a group presentation of their work to the entire class.

In this way, before beginning a more hands-on and creative challenge, the students examined the historically significant Bauhaus school from an academic perspective. As we know, undertaking critical reflection in advance is essential for bringing depth and integrity to their practical work—and of course, to fuel their creative abilities. Oh, and one more note: the “Bauhaus style” defined by basic colors and shapes wasn’t a constant throughout the school’s existence. It was, in fact, a trend developed between 1922 and 1927, just over a third of the school’s lifespan—but one that left a lasting international impact and remains embedded in our collective imagination.

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